"To Cut a Long Story Short"|The Spandau Ballet cover version

to cut a long story short cover version
"To Cut a Long Story Short", this Spandau Ballet  cover version,  was the first step towards the new Slinky Vagabond project. 
After their first encounter at Polimoda International Fashion School, for Keanan Duffty and Fabio Fabbri , to make the cover version of the Spandau Ballet song "To Cut a Long Story Short"  was a chance to make some music together for the first time.

Fabio Fabbri remembers : "I heard from Keanan again shortly after our first encounter.  His friend Gary Kemp, Spandau Ballet composer and guitarist, gave himthe idea of rearranging the Spandau Ballet song ‘To Cut A Long Story Short’. So Keanan suggested I rearrange the song on an acoustic base.”

Ona hot July afternoon, this Spandau Ballet cover version of "To Cut a Long Story Short" was born. An acoustic guitar, a simple rhythmic sequence, and the voice of Keanan.

At the beginning the arrangement should have foreseen the participation of a violinist, to give the cover version something new.But things went differently.

Fabio Fabbri says “ I was looking for a good solowith my acoustic guitar but everything seemed too predictable or banal. At a certain moment I tried to insert a ‘reverse effect’ , that  effectively reversed the guitar execution by making it sound like  a real Tzigano Violin. Keanan loved this execution and we went ahead with arranging and singing the cover versiontrack: it was the first time we had workedtogether but we immediately understood that we enjoyed  playing together without  limits or preconceptions, only making the music we loved.”

In  the end, the result  seemed to be  encouraging because it respected the original structure but  at the same time it sounded new.

When  the Spandau Ballet author Gary Kempl listened to  this cover version of "To Cut a Long Story Short" and tweeted “ Good acoustic version of the Spandau’s To Cut a Long Story Short here sung  by Keanan Duffty”, they thought they had created  something  really good!   IMG 0138

Fabio Fabbri says: “ It was absolutely clearwhen Gary told me that originally, when he composed the song the first time, he  would have arranged it in Flamenco style. But, according to the  ‘80s trend, with the new Romantic style and the use of Synthesizers,the Flamenco arrangement was abandoned. “

This experience encouraged Fabio and Keanan to continue with composing and recording music together.

They spent two years processing what soundedgood to them: a mix of instrumental and electronic sound, where the guitars have an importantrole but, at the same time, are at the service of the track, both in the execution as in the  timbre.

The result is a brand new album with 11 tracks that fully represents theSlinky Vagabond sound.

Along the way they met important musicians who have very much enjoyed playing their instruments with Slinky Vagabond 

Fabio and Keanan  say “ We are very grateful to them, and we hope that the music we  love is also loved by those who listen to it” 

 

 

Slinky Vagabond | A New Art Rock Music Project

Slinky Vagabond are Keanan Duffty and Fabio Fabbri

Slinky Vagabond is a new art rock music project by Keanan Duffty and Fabio Fabbri. Their new album " King Boy Vandals" contains a fantastic lineup of great artists: Midge Ure, Richard Fortus, Martin Turner, David Torn , Dave Formula, Tony Bowers.

The  new Slinky Vagabond art rock music project starts with the encounter between Fabio Fabbri - Italian  guitarist and composer - and Keanan Duffty English fashion designer and singer based in NYC.

Gibson Les Paul electric guitarThey met for the first time in 2017 at the Polimoda International Fashion School - where they are both  teachers- after a lecture on fashion and music held by Keanan and Glen Matlock, the Sex Pistols bass guitarist and song writer . Duffty dressed the Sex Pistols during their 2003 American tour, so the lecture was an opportunity to show students the Keanan and Glen experience in music and fashion.

Some months after this first encounter, Fabio and Keanan started discussing music and decided to collaborate to create a new rock music project.

They worked at this new rock music project for two years adjusting some compositions of Fabio to Keanan's voice and lyrics and rearranging some Keanan's tracks in relation to the new musical line, recording at Wolfmountain Studio, outside Florence, every time that Keanan was in Italy for his work at the Polimoda Fashion Institute.

They have had a lot of fun working together at this new music project and the result is a sound that entirely expresses the musical experience of the two musicians, that comes from and perfectly mixes their different musical background. Thus, Fabio‘s R’&R’ guitars are mixed perfectly with Keanan’s  voice and glam style. Their mutual passion for Jimi Hendrix and David Bowie is reflected in their music, although their sound is totally original and new.

In  two years they have collected  a lot of material  that is now  published in their new album "King Boy Vandals".

They decided to adopt the name Slinky Vagabond, a term used in the David Bowie song “Young Americans”, from the album of the same name, released in 1975. It is a tribute to the greatness of David Bowie and a name that Keanan has already used in the past in some of his projects and activities, and  it was also the name of a R'&R' band formed by Keanan in 2007 with illustrious musicians like Glen Matlock of the Sex Pistols, Clem Burke of  Blondie and Earl Slick who performed with David Bowie and John Lennon.

Friends like Martin Turner, bass guitarist and composer of Wishbone AshMidge Ure, guitarist of Visage and singer of UltravoxTony Bowers, founder bass player of Simply Red and The Durutti Column , Dave Formula keyboard player of Visage and Magazine , Richard Fortus of Guns N' Roses, David Torn who collaborarted with David Bowie, and David Sylvian, Andy Hilfiger and the English drummer David Maher were  part of this new rock music project  project playing their instruments in many songs.

Other artists have also given support by collaborating at this new project. 

Some pictures were taken by the photographer Ruggero Lupo Mengoni. The videos were made by Fausto Fabbri, musician, sound designer and video maker.

The Grammy Award-winning music producer, mixer and engineer Mario McNulty has offered to  mix  " The Beauty in You", the first  released song.

The first incarnation of Slinky Vagabond

Slinky Vagabond 2007 first incarnation

The first incarnation of Slinky Vagabond was in 2007 when Keanan Duffty formed the band with Earl Slick (David Bowie) producing and playing guitars, Glen Matlock (Sex Pistols) on bass and vocals, the legendary drummer Clem Burke (Blondie), with backing vocals from Pete Shelley (Buzzcocks) featuring on their cover of Bowie’s ‘Boys Keep Swinging’-

After recording and live performances in New York, with the reformation of Sex Pistols in 2007/2008 and Blondie’s touring schedule, this version of Slinky Vagabond soon split up, but the members still remain good friends.

 In this video  Keranan Duffty talks about the  Slinky Vagabond first incarnation  which features. Earl Slick, Glen Matlock and Clem Burke with Duffty on lead vocals. 

 Also watch David Bowie's swashbuckling performance of 'Boys Keep Swinging' on the Kenny Everett show in 1979.

It's good to meet your hero |When Keanan Duffty met David Bowie:

David Bowie and Keanan Duffty face to face

It's good to met your hero, expecially if the hero is David Bowie.  

Keanan Duffty met his hero David Bowie in 2007.

Bill Zysblat, David Bowie’s longtime business manager, organized the first encounter at RZO organization on 57th Street in Manhattan.

Keanan met David three times and  the second meeting they decided to promote the David Bowie fashion collection, marketing an exclusive CD of ‘Five, maybe six” unreleased songs by David Bowie.

The Bowie by Keanan Duffty collection was launched at Target stores across America in October 2007 along with the Limited edition ‘Strangers When We Meet’ CD featuring six unreleased Bowie tracks.

With advertising in Rolling Stone, Spin and GQ the collection sold out pretty quickly. Dave Grohl of Foo Fighters was pictured in GQ wearing a pair of the skinny black Bowie jeans and the entire line of clothes seemed to get the seal of approval form fans and fellow rock stars. Target created a 3D fashion show, of which the Bowie collection was part, and premiered it in New York City’s Grand Central Station. This was reported favorably in the Wall Street Journal.

The moral to the story is that some times it is good to meet your heroes.

Meeting David Bowie

 At this point in time there can be few people in the world who are not familiar with David Bowie. His career has lasted for decades and spanned music, film, theatre, the internet and the stock market. One thing that cannot be over looked is the influence he has had on literally millions of people. To say I am a fan of the man is an understatement. I would consider myself a disciple who has learned much of my creative craft by studying this man’s moves and I am not alone in that. However. nobody comes remotely close to the real thing.

Bowie and Duffty Rebel Rebel Antystyle

My first exposure to the famous orange RCA records label was not through Bowie, but the glam rock band The Sweet. The Sweet were probably my first music fetish and I was not alone in that either. British kids sent these so-called ‘brick layers in drag’ to the upper echelons of the pop charts thirteen times during the 1970s. I bought their string of hit songsations that included the Bowie-esque stomper ‘Blockbuster’ followed by ‘Hell Raiser’, ‘Teenage Rampage’ and ‘Fox on the Run’ all of which cemented their status a pop idols for British teeny boppers. However, I was soon to realize that The Sweet were merely a lightweight bubble gum ensemble who didn’t even write their own songs. Their RCA label mate David Bowie was the real thing. An artist for whom my admiration never waned. It would be over thirty years later that I would eventually meet the man in person.

Bill Zysblat is David Bowie’s longtime business manager and in 2002 I reached out to him. Zysblat’s office, which houses the RZO organization is on 57th Street in Manhattan and in the early Nineties I had moved to Manhattan and made New York City my home and my base for a career in fashion design.  I was interested in designing some t-shirts, Bowie tour merchandise. “Great”, said Bill, “but he’s on tour so let’s revisit after the current dates end in 2003”. However, at one of Bowie’s German shows the unthinkable happened. David Bowie had a blocked artery which caused him to be hospitalized and for the tour to be cut short.

Several years later I reconnected with Zysblat and in the time since our first conversation my circumstances had changed favorably. My fashion label had blossomed I had just struck a deal with the American mass retailer Target, a 1400 plus chain of stores based in Minneapolis and reaching across America coast to coast.

“Come up to the office”, said Bill. “You should meet with David and see if there is synergy”. The famed RZO organization –That was the place where I would first encounter Mr Bowie. The meeting was to be with David, his personal assistant Coco Schwab and Bill Z in Bill’s corporate board room. Beforehand I imagined the meeting would be with the Thomas Jerome Newton character from The Man Who Fell To Earth, the seminal Nic Roeg movie that cemented Bowie’s mid 1970’s star as the alien rock icon. Would David enter the room in a fedora, black coat and shades? Was I suddenly being transported into the offices of World Enterprises? ‘Slow down Arthur, keep to thirty’.

I nervously paced the empty room and after a few minutes Bowie appeared looking very casual in a sweat shirt, chinos and suede desert boots. I guess I am meeting David Jones from Bromley then, I thought to myself and Bowie immediately put me at ease by having me sit in the chair at the head of the desk. Now I was on the spot.  That voice. Even his speaking voice is totally distinctive. This is the guy who inspired me to be creative in the first place and I’m in the same room. This is surreal but I am keeping it together. Just act natural…After some lighthearted small talk I made my pitch. Bowie was charming and funny, at one point in the conversation I forgot where I was in my monologue, “I’ve lost my thread” I said, at which Bowie pointed out that was “not so good for a fashion designer-losing your thread”.

He asked what I had in mind and I told him that I thought it was a good time to bring my idea of a Bowie fashion line to him “Oh, why is that then?” he asked. Simply, that I had built a small business selling to hip premium retailers around the world and had now struck a deal with Target- meaning that my clothes would have the potential to be in shops across America. A bit like getting a big record deal after years with an indie. With that distribution already in place I could put the Bowie name on a fashion collection and offer a ‘Warhol style’ mass market approach. David seemed intrigued.

I was dying to ask for his autograph and get my picture taken with this icon of innovation but I resisted the temptation to ask. “Don’t’ blow it” I kept telling myself. We shook hands and David asked to see some design ideas. “You haven’t already pitched this to Target have you?” “No”, I said. “I was waiting to get your approval”.  He seemed happy with this and gave his blessing for me to approach the retailer.

Meeting number two took place, again at Bill Z’s office. David, Coco, Mark Wolk, the president of the manufacturing company who produced my collections, my wife Nancy and myself attended. We had design boards, sample garments and designs for the labels, hang tags and packaging.  All we needed was David’s approval.

“Nice jacket” he said to me of the coat I was wearing. “It’s one of Vivienne’s” I said happy that he approved of the Westwood tailoring.

Some weeks later we I met with Bill Z and Coco and the guys from the London based music PR firm who handle the Bowie account. Target were hoping for a big splash launch event with some of David’s stage costumes in glass cases-museum style. “Not going to happen”, the PR guys said, and they were firm about that. How about some quotes from David?  “Not going to happen”, again came the reply. This is not going to be an easy sell I thought. How do we promote a David Bowie fashion collection without Bowie’s help? The PR men finally agreed that we could market an exclusive CD of ‘Five, maybe six” unreleased songs. That was something-I would even get my name on a Bowie record. OK not on the orange RCA label that I had worshipped since my youth but nevertheless.

The third meeting was at the Bowie’s Isolar offices in Soho. These few rooms are on the sixth floor of a former light industrial building that is typical of that New York neighborhood and house a small staff that tends to the Bowie machine. At that meeting would be just David, Coco and myself. I had come to present the marketing ideas for the launch of the collection. Target were very keen to have David perform a song at an opening party. Again, not going to happen. “I’m not Posh Spice” he said. Oh dear. Did I fuck this up? He seemed happy with the in store promotional presentation and the CD design but didn’t want to be hawking a bunch of clothes. In hindsight I can see his point and he was obviously right. Keeping a distance allowed for his inspiration to be seen without it becoming an obviously commercial enterprise. This man was teaching me something about the importance of mystique-which in the age of mass celebrity and online exposure means that we become over familiar with our heroes and they can be easily cast aside.

The Bowie by Keanan Duffty collection launched at Target stores across America in October 2007 along with the Limited edition ‘Strangers When We Meet’ CD featuring six unreleased Bowie tracks. With advertising in Rolling Stone, Spin and GQ the collection sold out pretty quickly. Dave Grohl of Foo Fighters was pictured in GQ wearing a pair of the skinny black Bowie jeans and the entire line of clothes seemed to get the seal of approval form fans and fellow rock stars. Target created a 3D fashion show, of which the Bowie collection was part, and premiered it in New York City’s Grand Central Station. This was reported favorably in the Wall Street Journal. The moral to the story is that sometimes it is good to meet your heroes.

Why Slinky Vagabond is the name of the band

Slinky Vagabond on Young Americans

The name 'Slinky Vagabond' comes from the lyrics of   David Bowie’s song ' Young Americans' from  the album of the same name. The song was released in 1975 and was a breakthrough for the artist in the USA.

Whe Keanan  Duffty and Fabio Fabbri formed the band, they decided to adopt the name Slinky Vagabond as a tribute to the greateness of David Bowie and because Duffty used it in the past in some of his projects and activities. It was also the name of a R'&R' band formed by Keanan Duffty in 2007 with illustrious miusicians like Glen Matlock of the Sex Pistols, Clem Burke of Blondie and Earl Slick who operformed with David Bowie and John Lennon.

In 2016, after Bowie’s death, Rolling Stone listed 'Young Americans' as one of Bowie’s 41 greatest songs, and  ranked it at number 4.

 

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