Slinky Vagabond with Keanan Duffty in conversation with David Eastaugh
In this podcaast Keanan Duffty, singer of Slinky Vagabond, in conversation with David Eastaugh. talks about "Slade in Flame", "Tommy", Bowie, Punk and more!
"Slinky Vagabond is a concept band that originally formed in 2007 and became an integral part of the New York club scene and performed at celebrations for Joey Ramone’s Birthday Bash alongside the New York Dolls, Fashion Week’s Gen Art and Rock and Roll Fantasy Camp and Marc Bolan’s 30th Anniversary Show alongside Patti Smith, Tom Morello, Joan Jett and Ronnie Spector. They released their album ‘King Boy Vandals’ on December 6, 2021"
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King Boy Vandals
A collaboration between British singer/songwriter Keanan Duffty and Italian musician/producer Fabio Fabbri, Slinky Vagabond's second album is a wonderful throwback to '70s glam, '80s post-punk, and ‘90s electronic-laced alt-rock with a New York-London sensibility (Duffty, who is best known as a fashion designer, lived through those eras with first-hand experience). Featuring a cast of veteran guest players such as Midge Ure, Richard Fortus and Tony Bowers, King Boy Vandals balances both retro and contemporary sounds in the form of rockers (“Prima Donna,” “Old Boy”) and ballads (“The Beauty in You”).
David Chiu - Contributor
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An outfit spearheaded by the fashion designer, author and musician Keanan Duffty and the Italian guitarist, songwriter and producer Fabio Fabbri, King Boy Vandals sees the pair taking help from current and former members of Visage, Magazine, Guns N’ Roses, David Bowie and Simply Red for this often sturdy listen that takes influence from punk and alt-rock.
“Prima Donna” starts the listen with a thick and buzzing display of gritty yet melodic alt-rock that somehow sounds indebted to the ‘90s while also being modern, and “Fear No Evil” follows with a some prog-rock ideas entering the thumping and groove friendly climate that was actually a demo Duffty wrote for Velvet Revolver.
Further along, “Falling Down” is a quieter offering of post-punk like dreaminess amid angular guitar work and a very crisp rhythm section that features Tony Bowers on bass, while “Euphoria” takes a bigger step in prog territory alongside some ‘80s appeal and David Torn’s guitar prowess. “English Country Garden” then certainly points towards the band’s British influences, where Richard Fortus’ hard rock tendencies add much to the energetic landscape.
Deeper yet, “Rocking Into An Explosion” swirls with both grit and tunefulness, as soaring vocals and spirited guitars complement the spacey ideas, and “The Beauty In You” exits the listen with a warm acoustic tune, where a poetic delivery and cozy strumming alongside gentle piano and stirring strings make just as much an impact as the louder tracks.
An album that was primarily recorded live, Duffty and Fabbri certainly know how to navigate a muscular rock tune you won’t soon forget, and the many players and vast influences makes for a listening experience that will be enjoyed by those with interests as wide as David Bowie, The Psychedelic Furs or even Buzzcocks.
Travels well with: The Psychedelic Furs- Made Of Rain; The Milwaukees- The Calling